Rabu, 19 Maret 2014

PDF Download The Bioethics Reader: Editors' ChoiceFrom Wiley-Blackwell

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The Bioethics Reader: Editors' ChoiceFrom Wiley-Blackwell

A collection celebrating some of the best essays from the Blackwell journals, Bioethics and Developing World Bioethics.

  • Contributors include Helga Kuhse, Michael Selgelid and Baroness Mary Warnock, former Chair of the British Government’s Committee of Inquiry into Human Fertilization and Embryology’s.
  • Traces some of the most important concerns of the 1980s, such as the ethics of euthanasia, reproductive technologies, the allocation of scarce medical resources, surrogate motherhood, through to a range of new issues debated today, particularly in the field of genetics.
  • Includes contributions that are still as hotly debated today as they were 20 years ago and serves as a salutary reminder that free and open discussion is vital to the health of the discipline itself.
  • Includes eight sections comprising some of the journals' best publications in methodological issues, the health care professional-patient relationship, public health ethics, research ethics, genetics, as well as beginning- and end-of-life issues.
  • Will serve the academic bioethicists as well as students of bioethics as an excellent source book.

  • Sales Rank: #3383724 in Books
  • Published on: 2007-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.05" h x 1.00" w x 6.02" l, 1.94 pounds
  • Binding: Paperback
  • 620 pages

Review
‘A nice synthesis of some developments in the field that will be useful to those who dabble in bioethics, or who are interested in seeing what new areas of research have emerged alongside new technological advances and growing globalization. It is a nice supplement to some of the more traditional collections of contributions to this growing field.’
J. Jeremy Wisnewski, PhD, Hartwick College
From Metapsychology Online Reviews (Volume 12, Issue 7)
For the full review please visit: http://metapsychology.mentalhelp.net/poc/view_doc.php?type=book&id=4071

From the Back Cover
This volume offers a compilation of articles chosen by the current and past editors of Bioethics and Developing World Bioethics, published in the journals during the last two decades. The Bioethics Reader's eight sections include some of the journals' best publications in areas comprising methodological issues, the health care professional-patient relationship, just health care, public health ethics, research ethics, genetics, as well as beginning- and end-of-life issues. The Bioethics Reader offers a good overview of discussions in the field of bioethics during the last twenty years. It will serve the academic bioethicists as well as students of bioethics as an excellent source book.

The Editors of this volume donate their royalties from the sale of this book to Phedisang, a Southern African grass-roots non-governmental organisation serving the needs of AIDS orphans (www.phedisang.org).

About the Author
Ruth Chadwick has been co-editor of Bioethics since 2000. She is Distinguished Research Professor, Cardiff University, and Director of the ESRC Centre for Economic and Social Aspects of Genomics (CESAGen): a Lancaster–Cardiff collaboration.


Helga Kuhse is an Honorary Research Associate of the Monash University Centre for Human Bioethics. She was Director of the Centre until June 1999. Kuhse is the author of Caring: Nurses, Women and Ethics, The Sanctity of Life Doctrine in Medicine: A Critique, co-author of Should the Baby Live? with Peter Singer, editor of Willing to Listen - Wanting to Die and has published numerous articles in scholarly journals.


Willem Landman was one of the founding editors and is currently co-editor of Developing World Bioethics. He is CEO of the Ethics Institute of South Africa (EthicSA), Professor Extraordinaire at the University of Stellenbosch, and Ethics Advisor to The Global Fund to Fight AIDS, Tuberculosis and Malaria in Geneva. He studied at the University of Oxford and taught bioethics at the University of North Carolina.


Udo Schüklenk has been co-editor of Bioethics since 2000. He was also one of the founding editors and is currently co-editor of Developing World Bioethics. He is a Professor of Philosophy and Ontario Research Chair in Bioethics and Public Policy in the Philosophy Department of Canada's Queen's University.


Peter Singer is Ira W. DeCamp Professor of Bioethics at Princeton University, and Laureate Professor at the University of Melbourne. His books include Animal Liberation, Practical Ethics, How Are We to Live?, Rethinking Life and Death, One World, and The Ethics of What We Eat. He was the founding president of the International Association of Bioethics.

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Minggu, 16 Maret 2014

PDF Download Tin Whistle - A Complete Guide to Playing Irish Traditional Music on the WhistleBy Stephen Ducke

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Tin Whistle - A Complete Guide to Playing Irish Traditional Music on the WhistleBy Stephen Ducke

BOOK ONLY (Audio CD available to buy on author's website). Learn to play Irish traditional music on the whistle with this tutor book from Tradschool 104 tunes (28 children's & folk songs + 76 traditional Irish tunes)
This book gives a complete introduction to playing Irish music in the traditional style on the tin whistle; it covers all from the very first notes on the instrument to the most advanced ornamentation.
The course is broadly divided into two parts, with the shorter first part covering the basics of the whistle while the longer second part (pages 49-296) covers the playing of Irish traditional music on the instrument.
It is intended for anybody who wants to play traditional music in the Irish style, from complete beginners to confirmed or advanced players who wish to work on their style or ornamentation. Tablature as well as sheet music is used throughout the book, so it is accessible to the complete beginner; while more advanced players will appreciate the attention to detail in style and ornamentation in the later parts of the book.

Contents

Introduction
Part One
Unit 1 :Beginning the Whistle
Unit 2 : Right Hand Notes
Unit 3 : The Second Octave
Unit 4 – Scales
Unit 5 – Rhythm, Articulation & Breathing
Unit 6 - Putting it together 1

Part Two

Unit 7 – Irish Traditional Music
Unit 8 – Listening to Irish Music
Unit 9 – The Jig
Unit 10 – The Hornpipe
Unit 11 – The Reel

Unit 12 – Ornamentation
Ornamentation 1 – The Cut
Ornamentation 2 – The Tap
Ornamentation 3 – The Slide
Ornamentation 4 – The Roll
Ornamentation 5 – The Short Roll
Ornamentation 6 – The Triplet
Ornamentation 7 – The Bounce
Ornamentation 8 – The Cran
Ornamentation 9 – Combining Ornaments
Ornamentation 10 - Staccato Triplets
Ornamentation 11 – Summary
Unit 13 – Other tunes
Unit 14 – Playing in different keys
Unit 15 – Playing Irish Music
Unit 16 – Putting It Together 2
Unit 17 – Tunes

Appendix 1 – Troubleshooting
Appendix 2 – Reading Music
Appendix 3 - Bibliography
Appendix 4 – Tracklist

  • Sales Rank: #2451538 in Books
  • Published on: 2012-10-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .67" w x 8.50" l, 1.53 pounds
  • Binding: Paperback
  • 296 pages

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Jumat, 14 Maret 2014

Free Ebook The Sanity of Insanity: The Fascinating and Troubled Lives of WritersBy Paul Brody

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  • Sales Rank: #7021226 in Books
  • Published on: 2014-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .66" w x 6.00" l, .87 pounds
  • Binding: Paperback
  • 292 pages

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Jumat, 07 Maret 2014

Ebook Free The Cultural IndustriesBy David Hesmondhalgh

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The Cultural IndustriesBy David Hesmondhalgh

The first two editions of The Cultural Industries scrutinized the transformation in creativity and the cultural industries in a political, economic and cultural context. Now undisputedly a classic, this Third Edition offers essential updates to map the contemporary media landscape. David Hesmondhalgh offers a distinctive critical approach to cultural production that makes this book a must-read for students of media, communication and cultural studies and sociology.

  • Sales Rank: #1022051 in Books
  • Brand: Brand: SAGE Publications Ltd
  • Published on: 2012-12-26
  • Released on: 2012-12-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.53" h x 1.09" w x 6.69" l, 1.65 pounds
  • Binding: Paperback
  • 480 pages
Features
  • Used Book in Good Condition

Review
Hesmondhalgh has done it again! The 3rd edition of The Cultural Industries is a tour-de-force. At once brilliant and accessible, it is without peer when it comes to detailing the big picture and complex nuances of how cultural industries work. Hesmondalgh's updated, incisive analysis of the current era is exceptional, as is his masterful exploration of the fundamental theories and practices of cultural production. Every student of the media should have this book on their shelf.
Jennifer Holt
Associate Professor, University of California

In The Cultural Industries, David Hesmondhalgh sets out to assess, evaluate and explain recent changes in the cultural industries - and this he does with energy, acuity and aplomb. This book is sometimes provocative, always insightful and refreshingly direct. No-one could study the culture industries without engaging with its vision and argumentation. And this third edition is even better than before.
Sonia Livingstone
LSE, author of 'Media Regulation'

Comprehensive and critical, authoritative and analytical, this is a wonderful book that will absorb, stimulate and educate students of media and cultural studies for years to come. This new edition contains updated material as well as the same fresh and incisive lines of enquiry that we need in order to make sense of the changes and continuities inside the cultural industries.
Des Freedman
Department of Media and Communications, Goldsmiths College, University of London

From the very first edition, David Hesmondhalgh's Cultural Industries set the standard for a syncretic account that works across the terrains of cultural studies, media studies, and cultural policy studies. This new expanded and updated edition, distinguished by the particularly perceptive and critical integration of digital media into the account, is an exceptional achievement -- for its scale, for its comprehensiveness, and for the level-headed intelligence that is the hallmark of Hesmondhalgh's writing.
Professor Graeme Turner
Director of the Centre for Critical and Cultural Studies, The University of Queensland

This must-read text makes one realize how studying the people, organizations, and social policies that drive cultural industries can be important, fascinating - even exciting - especially in our profoundly changing media world.
Joseph Turow
Annenberg School of Communication, University of Pennsylvania

About the Author

David Hesmondhalgh is Professor of Media, Music and Culture in the School of Media and Communication at the University of Leeds. He is the author (with Kate Oakley, David Lee and Melissa Nisbett) of Culture, Economy and Politics: the Case of New Labour (Palgrave, 2015), Why Music Matters (Wiley-Blackwell, 2013), Creative Labour: Media Work in Three Cultural Industries (Routledge, 2011, co-written with Sarah Baker) and The Cultural Industries, now in its third edition (SAGE, 2013). He is also editor or co-editor of seven books and journal special issues, including The Media and Social Theory (with Jason Toynbee, Routledge, 2008) and (with Anamik Saha) a special issue of the journal Popular Communication on “Race, Ethnicity and Cultural Production” (2013).

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Rabu, 05 Maret 2014

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  • Sales Rank: #51034 in Audible
  • Published on: 2015-12-08
  • Released on: 2015-12-08
  • Format: Unabridged
  • Original language: English
  • Running time: 634 minutes

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